Fans "Wish" Disney Had Used These Abandoned Concepts
Happy New Year, princess fans! When a new year begins, many of us think about things we can do better than the year before. There is no company this notion applies to better than Disney, which has been failing in every direction now more so than ever. Their latest feature, Wish, was a genuinely solid movie that sadly did not make the profits it deserved. Following its theatrical run, many fans noticed that the concepts presented in the official Art of Wish book would have elevated it from a good movie to a great one. Most of these concepts revolved around love and romance, which has been strategically removed from modern Disney Princess archetypes, despite being a staple of the brand prior to the past decade. Despite some early rumors that Asha might be the daughter of King Magnifico and Queen Amaya, the film's director Chris Buck explained in an interview why he was adamantly against making her a princess, which may have been another mistake that could have altered the movie's tragic fate.
The most egregious mistake in the production of the film that has everybody talking is the removal of "Star Boy," an anthropomorphic shapeshifting version of the "Star" character that would have served as a love interest for Asha. It is heavily rumored that "At All Costs," one of the strongest yet most out-of-place songs in the film, was originally meant to be a romantic duet between Asha and Star Boy due to the slightly altered lyrics in the demo version of the song. After all, there isn't a lot of ambiguity behind the lyric "I wanna love you as one does," which is why it was changed to "I wanna promise as one does" when the song was used to describe Maginifico's obsession with guarding the people's wishes instead. If they had gone with the original version involving Star Boy falling in love with Asha, it would not only have been a beautiful tribute to Disney's history of engaging love stories, but it also would have added a compelling new element of a seemingly impossible paranormal romance between a human girl a celestial boy who lives in the sky. Granted, a similar plot was used in 2007's Stardust, but that movie was mediocre at best in comparison to the Neil Gaiman novel it was based on. Regardless, it would have been an original plot for a Disney film that could have gone in a different direction. You can listen to the original demo of "At All Costs" below and decide for yourself.
After writing a princess screenplay of my own, I understand the struggle of wanting to stay true to original ideas while also being open to feedback and popular demand. Considering the box office results of Wish, it's apparent that the filmmakers went about this the wrong way. It wouldn't be the first time that iconic princess film concepts were scrapped. Jeffrey Katzenberg is infamous for trying to convince songwriters Alan Menken and Howard Ashman to remove "Part of Your World" from The Little Mermaid after some children looked bored during the sequence at an early screening. Thankfully, the creative team won that battle. Another potentially iconic Disney Princess sequence that never saw the light of day was the "Princess Academy" short that featured a beautifully animated crossover of every Disney Princess and heroine character from the time gathering at a special school to bond over shared interests and experiences and improve their skills as princesses and heroic females. This 2009 short was a huge loss for princess fans. Other deleted concepts that are more widely available to the public are the demo songs from the Frozen soundtrack, which are arguably better than the ones that made it to the final film. Anna's deleted song, "More Than Just the Spare," was an excellent character study that was used to develop her personality despite not being used in the film, and the catchy duet, "Life's Too Short," did a much better job of showcasing the sisters' troubled relationship than "For the First Time in Forever (Reprise)."
By reflecting on various aspects of Wish in the new year, it becomes evident that the potential for a more compelling and resonant narrative was left unexplored. From the missed opportunity of a celestial romance between Asha and Star Boy and the intriguing complexities of Queen Amaya's character to the impact of scrapped songs and sequences, it's clear that there were significant unfulfilled possibilities. This serves as a reminder that even in the realm of beloved tales and princess stories, the creative process is not immune to missteps and unrealized potential. As we eagerly anticipate the future offerings from Disney and the evolution of the princess narrative, it is essential to appreciate the lessons learned from missed opportunities and the enduring value of staying true to the original spirit of these captivating tales. Would you have preferred the Wish that could have been? Let me know in the comments!
Comments
Also having a villainous couple whose "rebellious" daughter is rebellious because she is a good person who refuses to follow her parents' villainy would be a GREAT IDEA to the whole "I'm rebellious because it's the right thing to do" concept instead of the Star Butterfly thing "I'm rebellious because I hate princess responsibilities and I want to have fun."
However, I have my doubts about whether Disney will realize WHAT the mistake is as I fear that they will resort to digging deeper into the pit of mistakes and decide that what they need is even less romance, fewer feelings and more heroines kicking ass and being "warrior princesses who don't need anyone." Anime has been responsible for satisfying the desire for romance in recent years, but it is still not the same as the innocent romance of the 90s and 2000s.
On the other hand, my knowledge is limited more than anything to anime and what was broadcast in my country (Chile) in the 2000/2010 decade were many things from Japanese anime from the 80s onwards, not strictly the 90s, so we could be thinking about different series. But without a doubt if we talk about animes like "Hana yori dango" there are certainly several problems there...or Candy Candy and the slaps.
On the other hand, my discontent with the current romance is with the animated field...I enjoy animation but really the romances that they incorporate in Western series have not interested me much like Ladybug or Star vs (well they interested me but I did not like how they developed those dynamics)...Tangled I don't count it since the protagonists were a couple from the beginning and Owl House and Steven Universe are not my area of interest (princesses and magical girls) I guess Regal Academy was the closest or Lolirock.