It turns out I wasn't the only one who was excited to learn that the 1997 version of Rodgers and Hammerstein's Cinderella was coming to Disney+ last week. Everyone involved in the making of this classic film from over 20 years ago got together for interviews, a live watch party on Twitter, and more. The biggest surprise of this celebration was a brand new music video from Disney aficionado Todrick Hall featuring the leading lady herself, Brandy Norwood. It starts out as a fun little singing session between Brandy and Todrick as they serenade each other with songs from the classic musical. Then, something magical happens as Brandy is transformed into a slightly updated version of her princess look from the 1997 film and returns to the ball with Todrick as her prince. The video comes to a "happily ever after" with socially distanced cameos from several of the other cast members in the film.
Todrick Hall is no stranger to producing professional-quality Disney fan videos. I was particularly impressed by his "Spell Block Tango" mash-up video of Disney villains with the musical Chicago back in the day. It's evident that his "Cinderella" video was a labor of love by all the wonderful little touches in the background of his studio. There are countless Broadway posters lining the walls, a classic storybook from Disney's animated 1950 version of the story, and dolls of both Brandy and Whitney Houston in their iconic gowns from the 1997 movie. The costume that Brandy wears when she transforms into Cinderella at the ball is slightly different from the in the original film. It is a darker shade of blue and made of more shimmery material, adding to the magic of the music video. Her crown is also larger, implying that she has evolved from a princess into a full-blown queen. The choreography during this scene is on point and every bit as magical as it was in the original film.
What I enjoyed the most about this video was the look of sheer delight on Brandy and Todrick's faces as they performed these classic songs. You could tell that the video was made as a result of love and enjoyment for the original and not as a forced promotion for Disney (even though Whoopi Goldberg throws one in at the end). It's adorable how amazed Todrick Hall looks when Brandy walks into the room. She also seems to be having the time of her life adding her own soulful spin on iconic songs like "In My Own Little Corner" and "Impossible." The rest of the cast, including Bernadette Peters, Jason Alexander, and Paolo Montalban, who dressed up for his cameo, show their appreciation for the movie by appearing in the "Cinderella" storybook at the end. It was delightful to see that all of these performers still remember their roles in this gorgeous movie.
Todrick Hall isn't the only one who blessed us with new "Cinderella" music last week. On the same day that Rodgers and Hammerstein's Cinderella launched on Disney+, Andrew Lloyd Webber released another song from his Cinderella musical called "I Know I Have a Heart." This song is thematically similar to "Far Too Late." It expands upon Cinderella's regrets toward not telling Prince Sebastian about her feelings for him and running away from the ball. The song emphasizes her heartbreak after he picks a different woman to be his bride with the line "I know I have a heart because you broke it" and deconstructs today's feminist princess trope that encourages girls to suppress their femininity and hide their emotions. This version of Cinderella embodies the modern princess trope of being rebellious and independent and denying her feelings for the prince. "I Know I Have a Heart" enunciates the dangers of this attitude by showing us that no matter how tough a woman may act on the outside, she is just susceptible to pain and heartbreak on the inside.
"Cinderella" is a story that was once considered outdated. With these two musical revivals, it seems to be back in fashion. It makes sense that all of the people falling on hard times due to the current state of the world would want to embrace the fantasy of having their problems magically disappear. Personally, I've never grown tired of this story and am happy to see it make a comeback in any form. I think that the currently airing Disney+ series, WandaVision, is another example of a modern deconstruction of the "Cinderella" trope, but I will expand on that after the season ends.
The holiday season has begun, but like many other things this year , it is a mere shadow of its former self. That's why I was so pleased when one of my readers referred me to an animated version of "The Nutcracker" that I had missed during my childhood. The Nutcracker Prince is by far the most accurate version of E.T.A. Hoffmann's "The Nutcracker and the Mouse King" that I have ever seen. After my overwhelming disappointment with Disney's The Nutcracker and the Four Realms , I thought that the Barbie movie was the closest I'd ever get to an accurate feature based on this classic fairy tale. I was wrong. The Nutcracker Prince is an animated film released in 1990 with a surprisingly impressive cast of voice talent. Sadly, there's no chance of seeing it on Disney+ any time soon because it was distributed by Warner Brothers , one of the only major film studios that Disney does not own (yet). However, it is free to watch on YouTube for those o...
Only one month after my recent obsession with Find Me in Paris , the time-traveling ballerina princess drama dropped its third and final season on Hulu today. Though somewhat predictable, this season offered a satisfying conclusion to the show's unique concept that combined dance with science fiction and tied up all remaining loose ends from the previous seasons. We finally learned the truth about Lena's birth and why she's always being chased by anyone remotely interested in time travel. Nearly every character got paired off at the end, even if it meant some questionable decisions on behalf of the writers. The season also offered some of the most beautiful dance sequences in the show yet for its key story moments. While I could have done without the repetitive recap sequences, the final episodes made it clear that this was always meant to be the end and gave the cast and crew many happy memories to look back upon. The final season of Find Me in Paris incorporated the ...
Almost two years ago, Disney announced that they were working on a spinoff series to Sofia the First . The best place to reveal new updates about this mysterious series would have been the D23 Expo , which took place in Anaheim last weekend. Instead, Disney Jr. quietly posted on Instagram today that we can expect to see the new series, Sofia the First: Royal Magic on Disney+ in 2026. This is fantastic news if it's true, but Disney has broken promises on many other upcoming shows over the upcoming years, so it's a good idea to take all their announcements with a grain of salt until there is something more substantial like a trailer or release date. Still, it's exciting to have a title and more information about the series. Unlike the original announcement about it being a spinoff like Elena of Avalor , the show will now be a direct sequel that continues Sofia's adventures after graduating from Royal Prep . The official summary is as follows: "Sofia the Firs...
Yesterday, the Starz network released the series finale of The Spanish Princess , concluding The White Queen trilogy of miniseries that began in 2013. Based on a book series called The Cousins' War by Phillippa Gregory , the trilogy covers the women who stood behind the men in power in the English monarchy from 1464 to the 1530s, preceding the first two sovereign queens, Mary and Elizabeth. The White Queen , The White Princess , and The Spanish Princess grant us a rare opportunity to see what life was like for medieval monarchs. Watching them reminded me of why I prefer the fairy tale versions of royalty. Those stories do not contain the gory deaths, gruesome births, and invasive politics that historical dramatizations like these exemplify. In fact, I had very little interest in watching the second season of The Spanish Princess until I watched some historical videos and learned that the king that Catherine of Aragon was married to was none other than King...
Bye Sweet Carole is a horror adventure game that is entirely hand-drawn in the style of classic Disney movies. It has been in the works for about four years, which seems reasonable, considering how time-consuming it is to draw every frame by hand in the style of Dragon's Lair . The gameplay is inspired by an old Super Nintendo game called Clock Tower , but its plot, themes, and overall vibe resemble a more obscure point-and-click adventure game called Tsioque . Although Bye Sweet Carole is classified as horror, it is not particularly scary and is made to appeal to the Disney Princess crowd, which has a tepid relationship with horror . A better description of the game's genre would be "psychological thriller," which tends to be reserved for movies and books, even though many games fit this genre as well. Bye Sweet Carole tells the story of Lana, who lives in a Gothic-inspired orphanage called Bunny Hall in Victorian England. She spends the majority of the game chas...
Happy New Year, princess fans! When a new year begins, many of us think about things we can do better than the year before. There is no company this notion applies to better than Disney, which has been failing in every direction now more so than ever. Their latest feature, Wish , was a genuinely solid movie that sadly did not make the profits it deserved. Following its theatrical run, many fans noticed that the concepts presented in the official Art of Wish book would have elevated it from a good movie to a great one. Most of these concepts revolved around love and romance , which has been strategically removed from modern Disney Princess archetypes , despite being a staple of the brand prior to the past decade. Despite some early rumors that Asha might be the daughter of King Magnifico and Queen Amaya, the film's director Chris Buck explained in an interview why he was adamantly against making her a princess, which may have been another mistake that coul...
Thirty years ago, it would have been considered a crime to twist the sweet, gentle princess archetype into a cold-blooded murderer. Times have changed . Today, the type of violent nature required for horror movie leads is not so far off from how modern princesses act . That's why it's not too surprising that the niche fairy tale horror genre has increased in popularity over the past couple of years. In 2024 alone, there have been three gruesome, twisted princess films, two of which were based on the same fairy tale . Cinderella's Revenge , Cinderella's Curse , and The Little Mermaid all take a beloved protagonist known for her kind-hearted nature and turn her into a killer. Is there an audience for this growing trend, or is it merely a passing fad? The concept of combining the traditionally family-friendly fairy tale genre with the darker, more adult horror genre is not entirely novel. Original versions of fairy tales had many dark elements before they were Disney...
Four years ago, I shared a review of a cozy strategy game called Yes, Your Grace , in which players take on the role of a king who must wisely distribute resources to protect his family and his kingdom. Now, the game has released a sequel called Yes, Your Grace: Snowfall, in which the stakes have been raised exponentially. Snowfall features similar graphics and gameplay to the original, albeit with some small updates, along with a significantly darker tone. Players begin as King Eryk, the protagonist from the first game, but things quickly take a turn for the worse with his circumstances and health, and Queen Aurelea must step in to protect what's most dear to them. The game begins by allowing players to input over their story decisions from the first Yes, Your Grace. For those of us who played it almost five years ago, it might be hard to remember what those decisions were. This task can be bypassed by asking the advisor to make the best decisions, or just give it your best guess....
The first time I saw preview footage from Bye Sweet Carole , I thought it had been rotoscoped from Disney's Beauty and the Beast . It wasn't, but this perception was a result of the game's distinct look that is reminiscent of hand-drawn films from Disney's Renaissance and Golden Age eras. The nostalgic aesthetic is a huge selling point for the game. It is difficult to find anything in the modern era that recreates this style so perfectly. The game's protagonist, Lana, bears features that are similar to the character models for both Belle and Snow White. It is not unheard of for a video game to use hand-drawn animation. Dragon's Lair and Cuphead are some examples of this. However, it is an exceptionally rare medium for interactive storytelling due to the amount of time it takes to animate every possible player scenario. Few people are willing to put this amount of time and effort into modern games because of how much easier it is to take advantage of new tec...
It's the premiere week of Mysticons , so let's talk about magical girls and their impact on princess mythology. The magical girl craze began in Japan as a genre of anime called "mahou shoujo." No one knows exactly how it started, but it is believed that the first magical girl appeared in 1966 as Sally the Witch . Though individual stories vary, all the series in the mahou shoujo genre contain grade school-aged girls who receive sparkly trinkets that allow them to transform into pretty superheroes. They fight bad guys by screaming magical words and releasing different types of spells, usually in a pretty sequence of recycled animation. The concept seems rather silly from an outside perspective, but it definitely sells. Not all magical girls are princesses, but it is a common overlying theme, most likely because the genre was created for the same target audience. The most princessy magical girl anime would probably have to be Go! Princess Prett...
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